An American in Paris ~ Gershwin ~ Dudamel and the LA Philharmonic

An American in Paris is one of the compositions that have been on the program of the special Gershwin-concert, with the LA Philharmonic, under the baton of Gustavo Dudamel, on September 27, 2011.

The New York Times, 1 March 2016:
Have We Been Playing Gershwin Wrong for 70 Years?

About the composition:
An American in Paris is a jazz-influenced symphonic poem by the American composer George Gershwin, written in 1928. Inspired by the time Gershwin had spent in Paris, it evokes the sights and energy of the French capital in the 1920s and is one of his best-known compositions.

Gershwin composed An American in Paris on commission from the conductor Walter Damrosch. He scored the piece for the standard instruments of the symphony orchestra plus celesta, saxophones, and automobile horns. He brought back some Parisian taxi horns for the New York premiere of the composition, which took place on December 13, 1928 in Carnegie Hall, with Damrosch conducting the New York Philharmonic. Gershwin completed the orchestration on November 18, less than four weeks before the work's premiere.

Gershwin collaborated on the original program notes with the critic and composer Deems Taylor, noting that:
"My purpose here is to portray the impression of an American visitor in Paris as he strolls about the city and listens to various street noises and absorbs the French atmosphere."

When the tone poem moves into the blues, "our American friend ... has succumbed to a spasm of homesickness." But, "nostalgia is not a fatal disease." The American visitor "once again is an alert spectator of Parisian life" and "the street noises and French atmosphere are triumphant."


"An American In Paris" Ballet with George Gershwin's Original Music
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